Description
Chapter 1 Theories of Professional Identity: Bringing Cultural Policy in Perspective, Jonathan Paquette; Chapter 2 Cultural Policy and the Promotion of World War I Heritage Sites in France: Emerging Professions and Hybrid Practices, Anne Hertzog; Chapter 3 Cultural Democracy and the Creation of New Professional Subjectivities: The Case of Cultural Mediation, Jonathan Paquette; Chapter 4 Technology, Cultural Policy and the Public Service Broadcasting Tradition: Professional Practices at BBC News in the Social Media Era, Valrie Blair-Gagnon; Chapter 5 Curators and the State, a Question of Interdependencies: The Case of France, Frdric Poulard; Chapter 6 Policy Rationale and Agency: The Notion of Civil Society Organizations in Swedish Cultural Policy, Tobias Harding; Chapter 7 Museum Volunteers: Between Precarious Labour and Democratic Knowledge Community, Susan L.T. Ashley; Chapter 8 The Transcendental Fan: Navigating the Producer-Consumer Dichotomy and Cultural Policy in the Digital Age, Devin Beauregard; Chapter 9 American Cultural Policy and the Rise of Arts Management Programs: The Creation of a New Professional Identity, Eleonora Redaelli; Chapter 10 Becoming a Cultural Entrepreneur: Creative Industries, Culture-led Regeneration and Identity, Jennifer Hinves; Chapter 11 Cultural Policy and Agency in a Cultural Minority Context: Artistic Creation and Cultural Management in Northern Ontario, Aurlie Lacassagne; Chapter 12 Being Part of the `Supercreative Core: Arts, Artists and the Experience of Local Policy in the Creative City Era, Caroline Agnew;